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Many state governments have banned the sale or possession of spray paint to those under the age of 18 age of majority. However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti.

Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction.

All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city.

Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent.

Many international artists such as Banksy have left their work in Melbourne and in early a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.

In February Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property.

The issue of tagging become a widely debated one following an incident in Auckland during January in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter. Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism.

They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to city to help allocate an anti-graffiti budget.

The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement.

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One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.

Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property.

Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole. To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed.

San Diego's hotline receives more than 5, calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away.

If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact.

Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism.

The amount of the reward is based on the information provided, and the action taken. When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to " tagger's name "; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.

If the value of criminal damage exceeds ?5, the maximum penalty for those aged 18 or over is ten years imprisonment and for those aged years the maximum custodial penalty is a detention and training order of up to 24 months.

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Where the damage is less than ?5, the maximum sentence is three months imprisonment or a fine of ?2, for adult offenders An alternative sanction for minor graffiti offences is the issue of a penalty notice. Under the Anti-social Behaviour Act Police Community Support Officers and those persons accredited under the community safety scheme are allowed to issue penalty notices of ? An example of this UK punishment is the case of Tom Collister.

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Tom belonged to a gang of graffiti artists who were carrying out acts of vandalism across South London, mainly on trains and at stations. He was said to be linked to the tags SKEAMS, SKEAMZ, SKEAM and FDC. In October Tom was given a 30 month sentence for his crimes after pleading guilty to conspiracy to commit criminal damage.

He was sentenced along with the other three members of his gang, Darren Austin, who was given 18 months, William Setzdemspey who was given 15 months and Joshua Phiel who was given 12 months. All four members were initially taken to HMP Wandsworth, however in January Collister was transferred to Camp Hill Prison, making it much harder for his family to support him, while his co-defendants remained in Wandsworth. In February of Tom's sentencing appeal was heard in London and the sentence was reduced by 10 months therefore meaning he was now only to serve 20 months.

He was said to be severely distressed when he was told he would be returning to Camp Hill Prison to complete the remainder of his sentence and was found dead just four days later. A statement from the inquest jury at the Coroner's Court in the Isle of Wight released their verdict claiming that there were several failures in the Prison's care system provided to Tom. The jury found many issues in the prison's supervision on the night of Collister's death.

There was a lack of supervision resulting in lack of prisoner safety on the wing, the officer who found Collister did not have adequate training to deal with such an emergency situation, with no sense of how to react to suspected suicide or self-harm.

They also lacked sufficient resuscitation and first-aid training. The family of Tom Collister believed that he had not intended to take his own life, it was a suspected cry for help that had gone severely wrong.

Stations of the Elevate the earliest documentary about subway graffiti in New York City, with music by Charles Mingus. Piece by Piecea feature-length documentary on the history of San Francisco graffiti from the early s.

Infamya feature-length documentary about graffiti culture as told through the experiences of six well-known graffiti writers and a graffiti buffer.

RASHa feature documentary about Melbourne, Australia and the artists who make it a living host for street art. Jisoe : A glimpse into the life of a Melbourne, Australia, graffiti writer shows the audience an example of graffiti in struggling Melbourne Areas. Roadsworth: Crossing the Lineabout Montreal artist Peter Gibson and his controversial stencil art on public roads. Exit Through The Gift Shop was produced by the notorious artist Banksy.

It tells the story of Thierry Guetta, a French immigrant in Los Angeles, and his obsession with street art; Shepard Fairey and Invader, whom Guetta discovers is his cousin, are also in the film. Still on and non the wiser is a ninety-minute-long documentation that accompanies the exhibition with the same name in the Kunsthalle Barmen of the Von der Heydt-Museum in Wuppertal Germany. It draws vivid portrayals of the artists by means of very personal interviews and also catches the creation process of the works before the exhibition was opened.

Graffiti Warsa documentary detailing King Robbo's feud with Banksy as well as the authorities' differing attitude towards graffiti and street art. Quality of Life was shot in the Mission District of San Francisco, co-written by and starring a retired graffiti writer.

This dragonfly really love to be taken. I was able to do a shot. That is why I can be so close to it. I especially love to see the pattern on its wing and how it is joined to the Thorax. markopoulos provided excellent comment on the dragonfly, see below. Here are the links he provided for information on Dragonfly. ELENA - THE NAUGHTY NUN. A model from Middle French modelle is a person with a role either to promote, display, or advertise commercial products notably fashion clothing or to serve as a visual aide for people who are creating works of art or to pose for photography.

Modelling "modeling" in American English is considered to be different from other types of public performance, such as acting or dancing.

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Although the difference between modelling and performing is not always clear, appearing in a film or a play is not generally considered to be "modelling". Types of modelling include: fashion, -, fitness, bikini, fine art, body-part, promotional and commercial print models. Models are featured in a variety of media formats including: books, magazines, films, newspapers, internet and TV. Fashion models are sometimes featured in films: Lookerreality TV shows America's Next Top Model, The Janice Dickinson Modeling Agencyand music videos: "Freedom!

Celebrities, including actors, singers, sports personalities and reality TV stars, frequently take modelling contracts in addition to their regular work. Modelling as a profession was first established in by Charles Frederick Worth, the "father of haute couture", when he asked his wife, Marie Vernet Worth, to model the clothes he designed.

The term "house model" was coined to describe this type of work. Eventually, this became common practice for Parisian fashion houses. There were no standard physical measurement requirements for a model, and most designers would use women of varying sizes to demonstrate variety in their designs.

With the development of fashion photography, the modelling profession expanded to photo modelling. Models remained fairly anonymous, and relatively poorly paid, until the late 's. One of the first well-known models was Lisa Fonssagriveswho was very popular in the 's.

Fonssagrives appeared on over Vogue coversand her name recognition led to the importance of Vogue in shaping the careers of fashion models. InFord Models was established by Eileen and Gerard Ford in New York; it is one of the oldest model agencies in the world. During the 's and 's, Wilhelmina Cooper, Jean Patchett, Dovima, Dorian Leigh, Suzy Parker, Evelyn Tripp, Carmen Dell'Oreficeand Lisa Fonssagrives dominated fashion.

Dorothea Church was among the first black models in the industry to gain notoriety in Paris. However, these models were unknown outside the fashion community. Compared to today's models, the models of the 's were more voluptuous. Wilhelmina Cooper's measurements were 38""" whereas Chanel Iman's measurements are 32""".

In the 's, the modelling world began to establish modelling agencies. Throughout Europe, secretarial services acted as models' agents charging them weekly rates for their messages and bookings.

For the most part, models were responsible for their own billing. In Germany, agents were not allowed to work for a percentage of a person's earnings, so referred to themselves as secretaries. With the exception of a few models travelling to Paris or New York, travelling was relatively unheard of for a model. Most models only worked in one market due to different labor laws governing modelling in various countries.

In the 's, Italy had many fashion houses and fashion magazines but was in dire need of models. Italian agencies would often coerce models to return to Italy without work visas by withholding their pay. They would also pay their models in cash, which models would have to hide from customs agents.

It was not uncommon for models staying in hotels such as La Louisiana in Paris or the Arena in Milan to have their hotel rooms raided by the police looking for their work visas.

It was rumored that competing agencies were behind the raids. This led many agencies to form worldwide chains; for example, the Marilyn Agency has branches in Paris and New York. By the late 's, London was considered the best market in Europe due to its more organised and innovative approach to modelling.

It was during this period that models began to become household names. Models like: Jean Shrimpton, Joanna Lumley, Tania Mallet, Celia Hammond, Twiggy, Penelope Treeand Pauline Stone dominated the London fashion scene and were well paid, unlike their predecessors. Twiggy became The Face of '66 at the age of At this time, model agencies were not as restrictive about the models they represented, although it was uncommon for them to sign shorter models.

Twiggy, who stood at 5 feet 6 inches cm with a 32" bust and had a boy's haircut, is credited with changing model ideals.

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At that time, she earned ?80 an hour, while the average wage was ?15 a week. Inseven of the top model agents in London formed the Association of London Model Agents.

The formation of this association helped legitimize modelling and changed the fashion industry. Even with a more professional attitude towards modelling, models were still expected to have their hair and makeup done before they arrived at a shoot. Meanwhile, agencies took responsibility for a model's promotional materials and branding.

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That same year, former top fashion model Wilhelmina Cooper opened up her own fashion agency with her husband called Wilhelmina Models. ByFM Agency and Models 1 were established and represented models in a similar way that agencies do today. By the late 's, models were treated better and were making better wages. One of the innovators, Ford Modelswas the first agency to advance models money they were owed and would often allow teen models, who did not live locally, to reside in their house, a precursor to model housing.

The innovations of the 's flowed into the 's fashion scene. As a result of model industry associations and standards, model agencies became more business minded, and more thought went into a model's promotional materials. By this time, agencies were starting to pay for a model's publicity.

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In the early 's, Scandinavia had many tall, leggy, blonde-haired, blue-eyed models and not enough clients. It was during this time that Ford Models pioneered scouting. They would spend time working with agencies holding modelling contests.

This was the precursor to the Ford Models Supermodel of the World competition which was established in Ford also focused their attentions on Brazil which had a wide array of seemingly "exotic" models, which eventually led to establishment of Ford Models Brazil. It was also during this time that the Sports Illustrated Swimsuit Issue debuted.

The magazine set a trend by photographing "bigger and healthier" California models, and printing their names by their photos, thus turning many of them into household names and establishing the issue as a hallmark of supermodel status. The 's marked numerous milestones in fashion. Beverly Johnson was the first African American to appear on the cover of U.

Vogue in Models, including Grace Jones, Donyale Luna, Minah Bird, Naomi Simsand Toukie Smith were some of the top black fashion models who paved the way for black women in fashion. InMargaux Hemingway landed a then-upeterfields.netecedented million-dollar contract as the face of Faberge's Babe perfume and the same year appeared on the cover of Time magazine, labelled one of the "New Beauties," giving further name recognition to fashion models.

Many of the world's most prominent modelling agencies were established in the 's and early 's. These agencies created the standard by which agencies now run. InNevs Models was established in London with only a men's board, the first of its kind. Elite Models was founded in Paris in as well as Friday's Models in Japan. The next year Cal-Carries was established in Singapore, the first of a chain of agencies in Asia.

InSelect Model Management opened its doors as well as Why Not Models in Milan. By the 's, agencies such as Premier Model Management, Storm Models, Mikas, Marilynand Metropolitan Models had been established. By the 's, most models were able to make modelling a full-time career.

It was common for models to travel abroad and work throughout Europe. As modelling became global, numerous agencies began to think globally.

InFord Models, the innovator of scouting, introduced the Ford Models Supermodel of the World contest. That same year, John Casablancas opened Elite Models in New York. Incosmetics companies began contracting top models to lucrative endorsement deals. ByElite developed its own contest titled the Elite Model Look competition. In New York during the 's there were so-called "model wars" in which the Ford and Elite agencies fought over models and campaigns.

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Models were jumping back and forth between agencies such Elite, Wilhelmina, and Ford. In New York, the late 's trend was the boyish look in which models had short cropped hair and looked androgynous. In Europe, the trend was the exact opposite. During this time, a lot of American models who were considered more feminine looking moved abroad.

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By the mid's, big hair was made popular by some musical groups, and the boyish look was out. The curvaceous models who had been popular in the 's and early 's were in style again.

The early 's were dominated by the high fashion models of the late 's. Evangelista and her contemporaries, Naomi Campbell, Cindy Crawford, Christy Turlington, Tatjana Patitz and Stephanie Seymourbecame arguably the most recognizable models in the world, earning the moniker of "supermodel"and were boosted to global recognition and new heights of wealth for the industry. While the heroin chic movement was inspired by model Jaime Kingwho suffered from a heroin addiction, it was Kate Moss who became its poster child through her ads for Calvin Klein.

With the popularity of lingerie retailer Victoria's Secretand the Sports Illustrated Swimsuit Issue, there was a need for healthier-looking supermodels such as Tyra Banks and Heidi Klum to meet commercial modelling demand.

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By the late 's, the heroin chic era had run its course. Teen-inspired clothing infiltrated mainstream fashion, teen pop music was on the rise, and artists such as Britney Spears and Christina Aguilera popularized pleather and bare midriffs. As fashion changed to a more youthful demographic, the models who rose to fame had to be sexier for the digital age. Following Gisele Bundchen's breakthrough, a wave of Brazilian models including Adriana Lima, Alessandra Ambrosio, and Ana Beatriz Barros rose to fame on runways and became popular in commercial modelling throughout the 's.

Some attribute this to decisions by magazines to replace models with celebrities their covers. In the late 's, the Brazilians fell out of favor on the runways. Editorial clients were favoring models with a china-doll or alien look to them, such as Gemma Ward and Lily Cole.

During the 's, Ford Models and NEXT Model Management were engaged in a legal battle, with each agency alleging that the other was stealing its models. However, the biggest controversy of the 's was the health of high-fashion models participating in fashion week. While the health of models had been a concern since the 's, there were several high-profile news stories surrounding the deaths of young fashion models due to eating disorders and drug abuse.

The British Fashion Council subsequently asked designers to sign a contract stating they would not use models under the age of sixteen. On March 3,Vogue banned models under the age of sixteen as well as models who appeared to have an eating disorder. Similarly, other countries placed bans on unhealthy, and underage models, including Spain, Italy, and Israel, which all enacted a minimum body mass index BMI requirement.

The often thin shape of many fashion models has been criticized for warping girls' body image and encouraging eating disorders. Organizers of a fashion show in Madrid in September turned away models who were judged to be underweight by medical personnel who were on hand. In Februarysix months after her sister, Luisel Ramos, also a model, died, Uruguayan model Eliana Ramos became the third fashion model to die of malnutrition in six months. The second victim was Ana Carolina Reston.

Luisel Ramos died of heart failure caused by anorexia nervosa just after stepping off the catwalk. InFrance passed a law requiring models to be declared healthy by a doctor in order to participate in fashion shows. The law also requires re-touched images to be marked as such in magazines. InNew York toughened its child labor law protections for models under the age of eighteen by passing New York Senate Bill No.

Runway models showcase clothes from fashion designers, fashion media, and consumers. They are also called "live models" and are self-employed. They are wanted to be over the height of 5'8" for men and 5'6" for women. Runway models work in different locations, constantly travelling between those cities where fashion is well known-London, Milan, New York City, and Paris.

Second-tier international fashion center cities include: Rome, Florence, Venice, Brescia, Barcelona, Los Angeles, Tokyo, and Moscow. Cities where catalog work comprises the bulk of fashion packaging, merchandising and marketing work are: Miami, San Francisco, Sydney, Chicago, Toronto, Mexico City, Tokyo, Hamburg, London, and Beijing.

The criteria for runway models include certain height and weight requirements. During runway shows, models have to constantly change clothes and makeup. Models walk, turn, and stand in order to demonstrate a garment's key features. Models also go to interviews called "go and sees" to present their portfolios. A runway model can also work in other areas, such as department store fashion shows, and the most successful models sometimes create their own product lines or go into acting.

The British Association of Model Agents AMA says that female models should be around 34""" and between 5 ft 8 in cm and 5 ft 11 in cm tall. The average model is very slender. Those who do not meet the size requirement may try to become a plus-size model. According to the New York Better Business Career Services website, the preferred dimensions for a male model are a height of 5 ft 11 in cm to 6 ft 2 in cma waist of in Male runway models are notably skinny and well toned.

Male and female models must also possess clear skin, healthy hair, and attractive facial features.

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There can be some variation regionally, and by market tier, subject to current prevailing trends at any point, in any era, by agents, agencies and end-clients. Formerly, the required measurements for models were 35" Today's fashion models tend to have measurements closer to the AMA-recommended shape, but some - such as Afghan model Zohre Esmaeli - still have 35" Although in some fashion centers, a size 00 is more ideal than a size 0.

Plus-size models are models who generally have larger measurements than editorial fashion models. The primary use of plus-size models is to appear in advertising and runway shows for plus-size labels. Plus-size models are also engaged in work that is not strictly related to selling large-sized clothing, e.

Therefore, plus-size models do not exclusively wear garments marketed as plus-size clothing. This is especially true when participating in fashion editorials for mainstream fashion magazines. Some plus-size models have appeared in runway shows and campaigns for mainstream retailers and designers such as Gucci, Guess, Jean-Paul Gaultier, Levi's and Versace Jeans. A fit model works as a sort of live mannequin to give designers and pattern makers feedback on the fit, feel, movement, and drape of a garment to be produced in a given size.

- modelling focuses on sexuality and thus general requirements are often unclear, being dependent more on each individual case. - models can be any size or shape. There is no industry standard for - modelling and it varies greatly by country.

For the most part, - models are limited to modelling in calendars, men's magazines, such as Playboy, bikini modelling, lingerie modelling, fetish modelling, music videos, and extra work in films. However, some extremely popular - models transition into commercial print modelling, appearing in swimwear, bikini and lingerie campaigns.

It is widely considered that England created the market for - modelling when The Sun established Page 3 ina section in their newspaper which now features topless models.

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In the beginning, the newspaper featured sexually suggestive images of Penthouse and Playboy models. It was not until that models appeared topless.

In the 's, The Sun's competitors followed suit and produced their own Page 3 sections. It was during this time that - models first came to prominence with the likes of Samantha Fox.

As a result, the United Kingdom has a very large - market and has numerous - modelling agencies to this day. It was not until the 's that modern - modelling was established. During this time, the fashion industry was promoting models with waif bodies and androgynous looking women, which left a void.

Several fashion models, who were deemed too commercial, and too curvaceous, were frustrated with industry standards, and took a different approach. Models such as Victoria Silvstedt left the fashion world and began modelling for men's magazines. In the previous decades, posing nude for Playboy resulted in models losing their agencies and endorsements.

Playboy was a stepping stone which catapulted the careers of Victoria Silvstedt, Pamela Andersonand Anna Nicole Smith. Pamela Anderson became so popular from her Playboy spreads that she was able to land roles on Home Improvement and Baywatch. In the mid's, a series of men's magazines were established such as Maxim, FHMand Stuff. At the same time, magazines including Sweden's Slitz re-branded themselves as men's magazines. Pre-internet, these magazines were popular among men in their late teens and early twenties because they were considered to be more tasteful than their predecessors.

With the - market growing, fashion moved away from the waifs and onto Brazilian bombshells. The - market, which consisted mostly of commercial fashion models and commercial print models, became its own genre due to its popularity. Even in a large market like the United Kingdom, however, - models are not usually signed exclusively to one agency as they can not rely financially on one agency to provide them with enough work.

It was, and still is, a common practice for - models to partake in kiss-and-tell interviews about their dalliances with famous men. The notoriety of their alleged bed-hopping often propels their popularity and they are often promoted by their current or former fling. With Page 3 models becoming fixtures in the British tabloids, - models such as Jordannow known as Katie Pricebecame household names.

ByPage 3 regulars earned anywhere from ?30, to 40, where the average salary of a non-Page 3 model, as ofwas between ?10, and 20, In the early 's, - models, and aspiring - models, appeared on reality television shows such as Big Brother to gain fame.

Several Big Brother alumni parlayed their fifteen minutes of fame into successful - modelling careers. However, the - market became saturated by the mid's, and numerous men's magazines including Arena, Stuff and FHM in the United States went under.

During this time, there was a growing trend of - models, including Kellie Acreman and Lauren Popebecoming DJs to supplement their income. An alternative model is any model who does not fit into the conventional model types and may include punk, goth, fetishand tattooed models or models with distinctive attributes.

This type of modeling is usually a cross between - modeling and art modeling. Publishers such as Goliath Books in Germany introduced alternative models and punk photography to larger audiences.

Billi Gordon, then known as Wilbert Anthony Gordon, was the top greeting card model in the world and inspired a cottage industry including greeting cards, T-shirts, fans, stationery, gift bags, etc.

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Some models are employed for their body parts. For example, hand models may be used to promote products held in the hand and nail-related products. rings, other jewelry or nail polish. They are frequently part of television commercials. Many parts models have exceptionally attractive body parts, but there is also demand for unattractive or unusual looking body parts for particular campaigns.

Hands are the most in-demand body parts.

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Feet models are also in high demand, particularly those who fit sample size shoes. Models are also successful modelling other specific parts including abs, arms, back, bust or chest, legs, and lips. Some petite models females who are under 5 ft 6 in 1.

Parts model divisions can be found at agencies worldwide. Several agencies solely represent parts models, including Hired Hands in London, Body Parts Models in Los Angeles, Carmen Hand Model Management in New York and Parts Models in New York.

Parts Models is the largest parts agency, representing over parts models. Fitness modelling focuses on displaying a healthy, toned physique. Fitness models usually have defined muscle groups. The model's body weight is heavier due to muscle weighing more than fat; however, they have a lower body fat percentage because the muscles are toned and sculpted.

Fitness models are often used in magazine advertising. Sometimes they are certified personal fitness trainers. However, other fitness models are also athletes and compete as professionals in fitness and figure competitions. There are several agencies in large markets such as New York, London, Germany that have fitness modelling agencies. While there is a large market for these models, most of these agencies are a secondary agency promoting models who typically earn their primary income as commercial models.

Plus there are also magazines that gear towards specifically fitness modeling or getting fit and in shape. Fitness Models showcase their fitter side of their bodies on the covers gearing towards specific competitions in fitness and figure competitions. A gravure idol, often abbreviated to gradol, is a Japanese female model who primarily models on magazines, especially men's magazines, photobooks or DVDs.

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The rotogravure process is still used for commercial printing of magazines, postcards, and cardboard product packaging.

Gravure idols appear in a wide range of photography styles and genres. Their photos are largely aimed at male audiences with poses or activities intended to be provocative or suggestive, generally accentuated by an air of playfulness and innocence rather than aggressive sexuality.

Although gravure models may sometimes wear clothing that exposes most of their body, they seldom appear fully nude. Gravure models may be as young as pre-teen age up to early thirties. In addition to appearing in mainstream magazines, gravure idols often release their own professional photobooks and DVDs for their fans. Many popular female idols in Japan launched their careers by starting out as gravure idols.

Commercial print models generally appear in print ads for non-fashion products, and in television commercials. Commercial print models are usually non-exclusive, and primarily work in one location. There are several large fashion agencies that have commercial print divisions, including Ford Models in the United States.

A promotional model is a model hired to drive consumer demand for a product, service, brand, or concept by directly interacting with potential consumers. The vast majority of promotional models tend to be attractive in physical appearance.

They serve to provide information about the product or service and make it appealing to consumers. While the length of interaction may be short, the promotional model delivers a live experience that reflects on the product or service he or she is representing. This form of marketing touches fewer consumers for the cost than traditional advertising media such as print, radio, and television ; however, the consumer's perception of a brand, product, service, or company is often more profoundly affected by a live person-to-person experience.

Marketing campaigns that make use of promotional models may take place in stores or shopping malls, at tradeshows, special promotional events, clubs, or even at outdoor public spaces.

They are often held at high traffic locations to reach as many consumers as possible, or at venues at which a particular type of target consumer is expected to be present. A spokesmodel may be a celebrity used only in advertisements in contrast to a brand ambassador who is also expected to represent the company at various eventsbut more often the term refers to a model who is not a celebrity in their own right.

A classic example of the spokesmodel are the models hired to be the Marlboro Man between and Trade show models work a trade show floor-space or booth, and represent a company to attendees. Trade show models are typically not regular employees of the company, but are freelancers hired by the company renting the booth space. They are hired for several reasons: trade show models can make a company's booth more visibly distinguishable from the hundreds of other booths with which it competes for attendee attention.

They are articulate and quickly learn and explain or disseminate information on the company and its product s and service s. And they can assist a company in handling a large number of attendees which the company might otherwise not have enough employees to accommodate, possibly increasing the number of sales or leads resulting from participation in the show.

Atmosphere models are hired by the producers of themed events to enhance the atmosphere or ambience of their event. They are usually dressed in costumes exemplifying the theme of the event and are often placed strategically in various locations around the venue. It is common for event guests to have their picture taken with atmosphere models. For example, if someone is throwing a "Brazilian Day" celebration, they would hire models dressed in samba costumes and headdresses to stand or walk around the party.

Podium models differ from runway models in that they don't walk down a runway, but rather just stand on an elevated platform during fashion presentation. They are kind of like live mannequins placed in various places throughout an event. Attendees can walk up to the models and inspect and even feel the clothing. Podium Modeling is a practical alternative way of presenting fashion when space is too limited to have a full runway fashion show.

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Art models pose for any visual artist as part of the creative process. Art models are often paid professionals who provide a reference or inspiration for a work of art that includes the human figure. The most common types of art created using models are figure drawing, figure painting, sculpture and photography, but almost any medium may be used. Although commercial motives dominate over aesthetics in illustration, its artwork commonly employs models. Models are most frequently employed for art classes or by informal groups of experienced artists that gather to share the expense of a model.

Instagram models are a recent phenomenon due to the rise of social media. These models gain their popularity due to how many followers they have on social media. Some Instagram models gain high-profile modeling gigs and become household names. High-profile model, Jen Selterkicked off the Instagram model craze. Recently, Anna Faith and Caitlin O'Connor among many others, have had great success as Instagram Models.

Contemporary graffiti style has been heavily influenced by hip hop culture [24] and the myriad international styles derived from Philadelphia and New York City Subway graffiti, however, there are many other traditions of notable graffiti in the twentieth century.

In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:[27][28]. Within the United States graffitists such as Mike Giant, Pursue, Rime, Noah, and countless others have made careers in skateboard, apparel, and shoe design for companies such as DC Shoes, Adidas, Rebel8, Osiris, or Circa[36] Meanwhile, there are many others such as DZINE, Daze, Blade, and The Mac who have made the switch to being gallery artists, often not even using their initial medium, spray paint.

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By making the graffiti less explicit as adapted to social and legal constraints ,[66] these drawings are less likely to be removed, but do not lose their threatening and offensive character.

After a three-month police surveillance operation,[91] nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least ?1 million. In the late s the upside down Martini glass that was the tag for punk band Missing Foundation was the most ubiquitous graffito in lower Manhattan.

Ingraffitists Lee Quinones and Fab 5 Freddy were given a gallery opening in Rome by art dealer Claudio Bruni. For many outside of New York, it was their first encounter with their art form. Fab 5 Freddy's friendship with Debbie Harry influenced Blondie's single "Rapture" Chrysalis,the video of which featured Jean-Michel Basquiat, and offered many their first glimpse of a depiction of elements of graffiti in hip hop culture.

JaJaJa toured Germany, Switzerland, Belgium, and Holland with a large graffiti canvas as a backdrop. Within the United States graffitists such as Mike Giant, Pursue, Rime, Noah, and countless others have made careers in skateboard, apparel, and shoe design for companies such as DC Shoes, Adidas, Rebel8, Osiris, or Circa[37] Meanwhile, there are many others such as DZINE, Daze, Blade, and The Mac who have made the switch to being gallery artists, often not even using their initial medium, spray paint.

can discussed infinitely

By making the graffiti less explicit as adapted to social and legal constraints ,[63] these drawings are less likely to be removed, but do not lose their threatening and offensive character. After a three-month police surveillance operation,[88] nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least ?1 million.

When the police use search warrants in connection with a vandalism investigation they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays, etching tools, or other sharp or pointed objects used to etch or scratch glass and other hard surfaces, such as permanent marking pens and markers or paint sticks; evidence of membership or affiliation with any gang or tagging crew, paraphernalia to include any reference to " tagger's name ," and any drawings, writings, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or mention of tagging crew membership; any newspaper clippings relating details of or referring to any graffiti crime.

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This Post Has 2 Comments

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